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Vous avez sélectionné:
Three Lions - Brass Band
Partitions à imprimer
6 partitions trouvées
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Three Lions
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1120678 By The Lightning Seeds. B…
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Concert Band - Level 2 - Digital Download SKU: A0.1120678 By The Lightning Seeds. By David Baddiel, Frank Skinner, and Ian Broudie. Arranged by The Fluffy Hat Music Co. Film/TV,Multicultural,Pop,Rock,Traditional,World. Score and parts. 30 pages. The Fluffy Hat Music Co. #721926. Published by The Fluffy Hat Music Co. (A0.1120678). Three Lions (It's coming home!) is the most iconic football anthem of all time, arranged here for Windband.
$60.00
56 €
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Orchestre d'harmonie
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The Lightning Seeds
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The Fluffy Hat Music Co
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Three Lions
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The Fluffy Hat Music Co.
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SheetMusicPlus
Three Lions
Chorale 3 parties
Choir, TTBB - Intermediate - Digital Download By Baddiel Skinner and Lightning Seeds, Sk…
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Choir, TTBB - Intermediate - Digital Download By Baddiel Skinner and Lightning Seeds, Skinner and Lightning Seeds Baddiel, The Lightning Seeds. Arranged by Dorian Kelly. Individual Part. 6 pages. Published by Modal Music
"Three Lions" (also known as Football's Coming Home) is a song released in 1996 as a single by English band The Lightning Seeds to mark the European Championships of that year. It was written by the Lightning Seeds' Ian Broudie, with comedians David Baddiel and Frank Skinner providing the lyrics. The song has since become linked to the England football team whenever it competes in a major competition. This is an accessible arrangement for largely two-part (TB), occasionally three and four-part, male voice choir and piano.
$2.50
2.33 €
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Chorale 3 parties
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Baddiel Skinner and Lightning Seeds, Skinner and Lightning Seeds Baddiel, The Lightning Seeds
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Dorian Kelly
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Three Lions
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Modal Music
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
28 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Dancing with the Tzars: 2nd Violin
Violon (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0014536_VN2 2nd Violin. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0014536_VN2 2nd Violin. Composed by Karen Kyriakou. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014536_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014536_VN2). UPC: 038081380650.Full of fun while very serious, this original piece also provides cool inter-disciplinary teaching opportunities and reproducible historical notes. From rags to riches, revolutions, glorious victories, the demise of empires, traitors, conspiracies, rebellions, suspicions, abominations, heroes and heroines, the history of Russian tzars is presented in three movements. Play the music that takes you through a journey of the lives of these colorful historic figures as each instrumental part shares the melodic role.Concert/Contest.
$5.99
5.59 €
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Violon (partie séparée)
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Karen Kyriakou
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Dancing with the Tzars: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Dancing with the Tzars: 1st Violin
Violon (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0014536_VN1 1st Violin. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0014536_VN1 1st Violin. Composed by Karen Kyriakou. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014536_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014536_VN1). UPC: 038081380650.Full of fun while very serious, this original piece also provides cool inter-disciplinary teaching opportunities and reproducible historical notes. From rags to riches, revolutions, glorious victories, the demise of empires, traitors, conspiracies, rebellions, suspicions, abominations, heroes and heroines, the history of Russian tzars is presented in three movements. Play the music that takes you through a journey of the lives of these colorful historic figures as each instrumental part shares the melodic role.Concert/Contest.
$5.99
5.59 €
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Violon (partie séparée)
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Karen Kyriakou
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Dancing with the Tzars: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any pathstraight or curvilinearfrom the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.2 €
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Piano seul
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
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